Liberty Hardware Stainless Steel Knob and Pulls - P021 (iron art swing pull)
Liberty Hardware Stainless Steel Knob and Pulls - P021
Liberty Hardware Stainless Steel Knob and Pulls - P021
![]() (By:-LibertyHardware) STAINLESS STEEL KNOB AND PULLS OPTIONAL SIZES AVAILABLE PACKED WITHOUT SCREWS |
|
Retail: $ 0.00 Your Price: $4.39 Buy/More Info |
Formation of a Song
As industry insiders, we sometimes forget that when discussing the recording process, the rest of the world really has no idea what we are talking about. Hopefully this will provide an explanation of the song formation process in laymans terms so that there may be less disconnect between the professional and the consumer.
As with any creative process, there is no absolute hard and fast procedure that must be followed stringently, but there is a logical development that all recordings must go through, which includes:
Composition
Arrangement
Recording
Editing
Mixing
Mastering
That being said, this is an explanation of that general process and what takes place during each of these steps.
Composition
Composition is really where a song or piece is born. Preceding this step may be brainstorming and idea formation, but the song actually begins to take a real form and become an entity in itself during this stage.
This is what separates ideas and melodies floating around in the air from actual well-formed songs. There isnt a whole lot to be said concerning Composition, other than it consists of forming a melody (and often basic accompaniment) that flows chronologically from a start to a finish. Lyrics (if applicable) will also likely be written at this time.
Arrangement
Arranging is taking the Composition that has been created and determining what instruments will be used for the recording, writing the parts that those instruments will play, and the tempo (speed, beats per minute) that the song will be played in.
To best illustrate this point, think of the song What a Wonderful World. The most famous version of this song is arguably the one sung by the great Louis Satchmo Armstrong. Compare this to the Ramones version of the same song. Both are based on the same Composition, but with entirely different results based on the fact that they are Arranged differently using very contrasting instrumentation and are at vastly different tempos. (You can use any number of examples to illustrate this principle; Yesterday, Happy Birthday, etc.). Arrangement, as with Composition, may range anywhere from informally assigning parts to instruments to drafting the parts using musical notation, all dependent on the preferences of the arranger and the formality of the project.
Recording
Now we start to get a little more technical.
The term Recording is often used to refer to this and the following three steps as a whole, but for simplicitys sake, the term Recording is used here to mean putting performances to tape (or as is the case now, a digital format). This is also referred to as Tracking, Cutting Tracks, etc.
Recording Studios have long been somewhat of a mystery to industry outsiders, but basically what takes place during Recording is microphones and various (expensive) sound altering equipment are used to capture a sound being produced in an acoustically tuned room or environment and storing that sound information onto some sort of media (be it magnetic tape, a computer hard drive, or, in the old days, acetate discs).
Generally, a process called Multi-Tracking is used for commercial recordings in which each microphone (and hence, each sound, be it vocals, guitar, or cello) is printed discretely to the storage media to be manipulated at a later time.
To simplify it a bit, the normal stereo recording that a consumer would hear is comprised of two tracks or channels, the Right and the Left. During the Recording or Multi-Tracking stage, there are virtually innumerable quantities of tracks or channels that can each be controlled separately from the other tracks. For instance if you have recorded a vocal part on one track and a guitar part on another, because they were recorded discretely in a Multi-Track setting, the volume of the vocals can be increased or decreased without affecting the sound or volume of the guitar track whatsoever.
In a typical session, what you would be left with after completing the Recording stage is any number of discrete tracks each containing an instrument. An example of a track listing for a rock song might be:
Track 1: Kick Drum
Track 2: Snare Drum
Track 3: High Tom
Track 4: Low Tom
Track 5: Overhead Left
Track 6: Overhead Right
Track 7: Bass Guitar
Track 8: Electric Guitar
Track 9: Acoustic Guitar
Track 10: Keyboard Left
Track 11: Keyboard Right
Track 12: Lead Vocals
Track 13: Background Vocals
Meaning that each of these tracks had a microphone assigned to it for the specific purpose of recording the desired source. (Notice that tracks 1-6 are for various parts of a typical drum set).
Also (not to complicate things further, but) these instruments need not be recorded at the same time. The bass guitar player could record his/her part on Thursday, and the vocalist might lay down tracks a week later. Basically, because they are on separate tracks, the musicians do not have to be playing at the same time or even in the same place to create a finished product that sounds like they were looking right at each other. This also enables a multi-instrumentalist to record all the instruments themselves and create their own virtual band where they are the only member.
Editing
Had this exercise been written 15 years ago, I would not have included Editing as its own section as it generally takes place during Recording and Mixing on an as needed basis. But with the evolution and general industry acceptance of digital and non-linear recording formats, Editing has become a much more important and functional stage in the creation of a musical work.
Simply put, Editing consists of changing the original recording by way of altering the timing, pitch, or speed of an individual track, or tracks to change the performance. One such common practice is referred to as comping. Comping is the idea of recording multiple takes of one instrument with the intent of compiling all of the takes into one cohesive take for the purpose of eliminating errors or creating a perfect take.
For instance, a vocalist may sing the same part over and over again making mistakes in different parts on each take. Rather than continuing to search for a complete perfect take, or settling for the best take and having to live with the mistakes, the recording engineer (the guy turning all the knobs ) will choose the best take and then after identifying each mistake within that take, pull the line, phrase, word, or even syllable from another take where the mistake did not occur and paste that into the correct spot on the best take essentially eliminating the mistake and making it sound like it was performed and recorded without it.
Digitally, this process is simple and can be completed with just a couple of mouse clicks. Using analog tape, it becomes much more cumbersome and requires a series of meticulous tasks to record to a third track while muting and un-muting the source tracks, or pulling out the old razor blade and slicing away.
This is just one example of the use and purpose of Editing. To go into the virtually infinite uses would be long and redundant as the editing limits in the digital domain are nearly limitless.
Mixing
The Mixing stage is necessitated by the differences in the format that is used in the Recording stage and the format that the end consumer is able to use. If you recall, when we finished the Recording stage, we were left with (for example) 13 different tracks, each with its own instrument. Each of these tracks by now has been edited to contain the best possible performance during the Editing stage, but they are still individual tracks and not one cohesive song that a consumer can pop in the CD player. For arguments sake, we will only discuss Mixing down to stereo and not touch upon surround sound, 5.1, 7.1, 9.1, or any other format as stereo is currently the most generally accepted format (for now). Mixing is the process of taking all of these individual tracks (in our example, 13) and by way of using sound altering effects, changing volumes, and manipulating perceived position Left and Right (panning), creating a stereo (two track) recording. Think of it in terms of a funnel. The individual tracks are the wide end, and they must be brought together to form two tracks (the narrow end).
Again, we will not go into the intricacies of Mixing in practice, but in order for all of the tracks to sound good together (play nice kids), they must be twisted, manipulated, affected, squashed, and combed so that they sound just right and like they are all playing together in one space just for the listener instead of all separately and in padded booths like they actually were.
Once this is accomplished, we are left with a stereo (two track) recording with all the instruments sounding great together and the song is nearly finished.
Mastering
This is the final and most often overlooked step in the song creation process. In fact, if you were to ask a group of musicians what mastering is, chances are a good portion would not be able to tell you what it is and why it is so important.
Essentially, Mastering is preparing the final stereo recording for commercial consumption by pumping it up to a usable volume and making sure that the song will sound good on any sound system it plays on, from a home theater system that costs thousands of dollars, to your little tiny, terrible laptop speakers.
Mastering is most important if you have multiple songs and are creating an album or if you are preparing your recording for commercial release. This is because when the Mixing stage is complete, the stereo recordings you are left with were mixed to sound good on the speakers that they were mixed on regardless of how that sound translates to other spaces and speakers. Also, in the case of making an album, you dont want Song #1 to be a whole lot louder than Song #2 or even Song #15. Have you ever listened to a CD where you were constantly adjusting the volume just to maintain a consistent pleasant playback level? This is a CD that has not been mastered (or was mastered poorly). The same applies for making the songs sound like they belong together in that you dont want one song to sound tinny (a.k.a. too much high end equalization) and another boomy (a.k.a. too much low end).
So that explains why Mastering is important for album, but what about commercial releases? Imagine if your un-mastered song were on the radio between two wonderfully mastered songs. You would get swallowed up. Your song may be too quiet, or have too much low end and basically just sound unprofessional by comparison.
As mentioned before, Mastering will also make sure the final product sounds good no matter where it is played or what system it is played on. When making a presentation of your final product to a client, record label, or even friend, you dont want to say, Sorry, I can only play this through Yamaha NS-10 speakers. And you certainly dont want to be taken by surprise and find out that it sounds bad everywhere but in the studio.
So there you have it. The real deal on how a song is created from Composition to Mastering and now the final product. No more mystery and technical jargon. So now that the cat is out of the bag, everyone can do it all on his/her own right? Wrong. Just knowing an automobile works on an internal combustion engine doesnt mean you can start building your own cars. Audio professionals have spent years learning what to listen for and how to make things sound right. Not information that can be gained in a four-page discourse. Contact your local audio professional to get your project started, but at least now, youll know what youre in for.
|
About The Author Ben Blakesley is the Chief Engineer for Philadelphia based Javboy Records, which specializes in creating custom music solutions for production. Visit them at www.javboyrecords.com Colorado Springs Knobs N' Things Liberty Hardware Betsyfields Design 3″ French Huit Rigid Pull - PBF137 Liberty Hardware Betsyfields Design 3″ French Huit Rigid Pull - PBF137
The Top 10 Countdown to a Flu-less Holiday
Copyright 2005 Linda Slater Dowling We have now officially entered what at least one holiday carol calls “The most wonderful time of the year.” Indeed, it’s the season to be jolly, the season of giving and sharing … and it’s the season when the flu likes to rear its ugly head. But just because flu season is here doesn’t mean you have to be one of the 20 percent of the U.S. population, according to the Centers for Disease Control and Prevention, who gets the flu each year. There are many natural methods you can use to help prevent the flu (and treat it if you do come down with a case). Here are some you can try today to keep the flu at bay for a healthy holiday. 1. Get enough sleep. Remember the saying “Early to bed, early to rise, makes a man healthy, wealthy and wise”? These are words of wisdom to live by, as your body is able to repair and recuperate while you sleep. Skimp on this important necessity and you’ll be less able to fight off the flu and other illnesses. 2. Let go of stress. The holidays bring fun and festivities to many, but they also bring more demands: holiday shopping, cooking and baking, social gatherings and houseguests. It’s essential to find an outlet for your stress (think long walks in nature or cozying up under a blanket with a good book), because stress is a major contributor to all disease … including the flu. 3. Wash your hands. This one sounds obvious, but think about how many times during a day you touch public objects (paper money, door knobs, computer keyboards), then touch your face, your eyes or eat lunch. This gives germs and bacteria easy access to your body. It’s especially important to let children know the importance of washing their hands as well. 4. Think twice before getting a flu vaccine. For some, a flu vaccine may be warranted, and many government agencies recommend them. However, there are others who believe flu vaccines are often unnecessary and may do more harm than good. Says Rima E. Laibow, MD, medical director of Natural Solutions Foundation, of the FluMist vaccine, “FluMist is a live virus vaccine which introduces between 10 and 100 million viruses into the nose … FluMist is based on last year’s viruses which were not effective against last year’s viruses … once treated with FluMist, people shed live, infective viruses for up to 3 weeks, which can give people flu.” 5. Eat healthy. This includes fortifying your diet with immune-enhancing foods like leafy greens, raw garlic and mushrooms (especially shiitake, maitake and reishi), drinking plenty of pure water and cutting back on junk food. 6. Consider taking vitamin C. “Under stress (like a viral infection), your need for vitamin C is increased,” says Laibow. 7. Cut back on sweets. Sugar weakens your immune system, which is your primary defense against the flu. 8. Gargle. If you notice a sore throat coming on, gargling with some diluted hydrogen peroxide or tea tree oil (mixed with water) can help. 9. Stick with your exercise routine. Regular exercise is an excellent way to keep your immune system strong … and thereby reduce your chances of getting the flu. 10. Ease up on alcohol. Though holiday toasts may be plentiful, keeping your alcohol intake to a minimum is important for feeling your best. Alcohol weakens immune function, so the more you drink, the more vulnerable you become to the flu and other illnesses. Best wishes for a flu-free and healthy season! Linda Slater Dowling www.studentformula.com About the AuthorLinda Slater Dowling , a Certified Natural Health Professional is CEO & Founder of the Nutritional Institute, home of the new and popular STUDENT FORMULA Natural Health Products. For a FREE e book on “Eating rIght on a Budget” visit their web site at http://www.studentformula.com . You may also want to sign up for their popular “Be Smart, Be Healthy, Be Natural” newsletter. lindas@studentformula.com Popularity: 14% [?]
Comments Off
How to Buy New Window Blinds (sugatsune)
More info…
RK International Porcelain Gold Line Flower Ends Bail Pull - CP352 RK International Porcelain Gold Line Flower Ends Bail Pull - CP352
Colorado Springs Knobs N' Things Shopping For Keyboards Keyboard is one of the important musical instruments that a musician desires to buy first. There are varieties of keyboards available in the market with various features and functions. All these musical keyboards fall under categories such as MIDI controllers, digital pianos, arrangers, portables, synthesizers, work stations and organs. Each type of keyboard caters different needs and one need to know his exact requirements thoroughly before selecting the type of keyboard. MIDI controller keyboards come with different varied number of keys like 25 and 88. They also include response factors such as velocity sensitive, weighted and aftertouch. Some of the MIDI controllers are equipped with control surfaces, drum pads, combination controllers, wind controllers, sliders, and knobs. There are two broad categories of Digital Pianos like Console Pianos that are used at home and portable stage pianos usable for stage performance. Most of the features are same in both varieties and changes are only in their designs and sizes. The essential factors one has to look while buying digital pianos are key responsiveness, sound quality and their amplifier and speaker features. These factors highly influence the quality of music generated by them. Arranger is a musical keyboard which is very useful for music directors and song writers. These keyboards are fitted with professional sound engines and a variety of compositional tools making the song writing easier. Portables are similar to arranges but meant for beginners. They are equipped with learning functions to facilitate the newly starters to acquire music. Arranges and portables can be connected with personal computers using USB and other types of connectivity in order to upload and download songs and related software. Synthesizers are another type of musical keyboards that produce sound. Most of the present models use pre-recorded sounds for creating music where as the analog synthesizers produce music manipulating electrical signals. Sample based synthesizers are capable of producing variety of other musical instruments like organ, strings, piano, etc. Workstations are basically arrangers with more enhanced features needed for song recording. These keyboards are fitted with hard disk drives, multi-track recording devices, and many more useful features that help the professional composers to produce high quality music. Organ is basically a musical keyboard fitted with only an organ sound engine targeting the dedicated organ players. Unlike traditional analog models, present organs use digital models with features like pitch bend, modulation, and sound effects. This gives optimum desired results. About the Author: James Brown writes about GearTree Coupons, Music123 Sales Code and Musical Promo A Guide To Great Kitchen Cabinets And Countertops
Are your kitchen cabinets and counter tops an eye sore? Or maybe plain jane? Do you have a kitchen which looks very clean and organized but when the cabinets open all the things inside start tumbling out? Do you have a new house that needs a handsome kitchen to go along with it? Once of the main focus in planning the interiors of the house is the kitchen. This area is always given much consideration since a lot of important things are done in the kitchen. So you need to look at your concept very well looking particularly on budget and over all look.
Before you buy or have your kitchen cabinets and counter tops done the way you like consider a few things such as: A lot of kitchen cabinets are available on the market today all you just need to know and think of is how you want to your kitchen to mainly look like and most importantly you need to consider your budget. You don’t to have the high end pieces just to have a posh looking kitchen you just need to have a good eye for nice and beautiful things and you will be on your way to that great looking kitchen. There are cabinets and counter tops that are already almost finished and will just be placed in your kitchen you can consider this or you may want something done exactly as your ‘vision kitchen’. You may also need to consider if you need someone else to do it for you or if you can do it yourself. If you have old kitchen cabinets and counter tops you can consider to have it remodeled, replaced, refaced or refinished (if you are on a very tight budget). Remember to have good shelving in your cabinets if you have old ones that are about to collapse change them now and don’t wait for the day you precious plates increase in number but n small fragments. There are great cabinet organizers available on the market today consider them and see which will work best with your needs. Replace your old hinges specially if your cabinet doors are falling apart or have been there for a century already. Remember good planning and budgeting is the key for your perfect dream kitchen. Your kitchen cabinets and counter tops are the focal point in every kitchen it must always look presentable, unique, simple and organized. So research well and put your dreams into reality. After all you will be spending a lot of time and money to put it together and another long hour using it.
Get that dream kitchen. Get the right kitchen cabinets and counter tops. About the AuthorLee Dobbins writes for http://cabinets.home-webzone.com/ where you can learn more about cabinets for the kitchen and how to make yours look like a million bucks! Popularity: 12% [?]
Comments Off
|


